ann 'Sole Sister' johnson

STUDIO OF ART

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STRUCTURES

Mixed Media Sculptural 2D and 3D Works

INSTALLATION

ReEducation of Freedmen's Town

The ReEducation of Freedmen?s Town is a collection of reimagined archival photographs of Freedmen?s Town with current residents. Freedmen?s Town is the first black settlement post emancipation in Texas. The images have been printed on hand poured concrete to honor the brick paved streets that are the heartbeat of the neighborhood.

IRONIC

This is about being seen. Seeing the women in the shadows. In my eyes the ironing board resembles a badge of honor. A medal for the women in the shadows. A medal of honor that so many Black women, and women of color have earned, as they had to take care of the families of others before they could take care of their own. It is ironic that the least valued person is the most valuable person to the home. As a physical object the ironing board is a sacred symbol that represents that back breaking work women have endured simply for survival. Ironic explores family, community, and most importantly Black womanhood.

AUCTION BLOCK SERIES

The Auction Block series, is a body of work printed directly on raw cotton and mounted on a floating block. This series is a direct commentary on the ills of slavery.

HOOP DREAMIN

Collection of Elliot Perry

FOOTWORX

ROUX

In 2011 the artist collective ROUX was formed as part of the inaugural exhibition series PrintHouston. ROUX contributes to the discourse of contemporary printmaking by using traditional and experimental methods while highlighting the diverse art practices of Rab?a Ballin, Ann Johnson, Delita Martin and Lovie Olivia. These four artists? works navigate between styles of the past and the proposed future and addresses experiences unique to Women of Color residing in the American South. These four artists not only embrace and challenge drawing conventions in medium, surface and concept but apply unusual approaches to the process and ingredients of printmaking. Identifying as installation, video, mixed media artists, sculptors and painters as well, they make the common voyage ? once a year - to the arena of Printmaking. The four are intrinsically invested in a dialogue with print, pattern and mark-making; both two dimensionally, as well as, taking these marks, line, erasure / transparency, memory and process, off the page to flirt with a three dimensional environment. From digital plaster fresco to traditional works on paper to more organic approaches like printing on feathers, glass and fabrics, the works summon an ingrained dialogue with the historical and formerly domestic spaces.

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